BIBLIOGRAPHY
Dana F. Sutton
1970 1. An Analytic Prosopography and Statistical Guide to the Land Tenure Tablets from Pylos (diss. Wisconsin, available from University Microfilms, Ann Arbor, Mich.; supervised by Emmett L. Bennett, Jr.)
1971 2. “Aeschylus’ Edonians,” in Fons Perennis: Saggi Criticidi Filologia Classica Raccoliti in Onore del Professore Vittorio D’Agstino (Baccola, Turin) 387 - 411
3. “Lucreti Poemata Once Aain,” Rivista di Studi Classici 19, 328 - 7
4. “The Relationship between Tragedies nd Fourth Place Plays in Three Instances,”Arethusa 4, 55 - 72
5. Review of Maarit Kaimio, The Chorus of Greek Drama within the Light of the Person and Number Used (Helsinki, 1970), in American Classical Review l, 210
1972 6. “Satyric Qualities in Euripides’ Iphigeneia in Tauris and Helen,” Rivista di Studi Classici 20, 313 - 322
1973
8. “Two Epigrams of Dioscorides (A. P. VII.37 and 707),” Rivista di Studi Classici 21, 197 - 200
9. “Satyric Elements in the Alcestis,” Rivista di Studi Classici 21, 1 - 8
1974 10. “Aeschylus’ Amymone,” Greek, Roman and Byzantine Studies 15, 193 - 202
11. “Athletics in the Greek Satyr Play,” Rivista di Studi Classici 22, 351 - 357
12. The Date of Euripides’ Cyclops (University Microfilm Monograph Series, University Microfilms, Ann Arbor, Mich.)
13. “The Evidence for a Ninth Euripidean Satyr Play,” Eos 62, 49 - 53
14. “Father Silenus: Actor or Coryphaeus?” Classical Quarterly 68, 19 - 23
15. “A Handlist of Satyr Plays,” Harvard Studies in Classical Philology 78, 107 - 143
16. “The Nature of Critias’ Sisyphus,” Rivista di Studi Classici 22, 127 - 131
17. “Satyr Plays and the Odyssey,” Arethusa 7, 161 - 185
18. “Sophocles’ Dionysiscus,” Eos 42, 205 - 211
19. “Sophocles’ Inachus,” Eos 42, 212 - 226
20. “The Titles of Satyr Plays,’ Rivista di Studi Classici 22, 181 - 189
1975 21. “Euripides’ Cyclops 356 - 359 = 369 - 374,” Rivista di Studi Classici 23, 246f.
22. “A Series of Vases Illustrating the Madness of Lycurgus,” Rivista di Studi Classici 23, 351 - 355
23. “Sophocles’ Iambe,” Eos 63, 245 - 248
24. “The Staging of Anodos Scenes,” Rivista di Studi Classici 23, 356 - 364
1976 25. “Euripides’ Apology,” Hermes 104, 241 - 243
26. “Three Notes on P. Oxy. 27.2455 (Euripidean Hypotheses),” The Bulletin of the American Society of Papyrologists 13, 125 - 127
27 “P. Oxy. XXXV.2737: New Light on the Production of Old Comedy,” The Bulletin of the American Society of Papyrologists 13, 125 - 127
28. Review of Charles Rowan Beye, Ancient Greek Literature and Society (New York, 1975) at Classical World 70, 199f.
1977 29. “Euripides’ Theseus,” Hermes 185, 49 - 53
30. “New Words from Satyric Fragments,” Glotta 55, 212 - 214
31. “Notes on the Vocabulary of the Minor Tragic Poets,” Glotta 55, 208 - 212
32. “The Origins of the Cacus Myth,’ Classical Quarterly 27, 391 - 393
33. “P. Bodmer XXVIII: Some First Impressions,” The Bulletin of the American Society of Papyrologists 14, 25 - 27
1978 34. “Aeschylus’ Dictyulci and Diphilus’ Epitrope,” Classical Journal 74, 22 - 25
35. Review of Manfred Landfester, Handlungsverlauf und Komik in den frühen Komödien des Aristophanes (Berlin - New York, 1977) at Classical World 72, 469f.
36. Review of F. H. Sandbach, The Comic Theater of Greece and Rome (New York, 1977) in Classical World 72, 493f.
37. “Some Satyric Fragments from Oxyrhynchus,”Bulletin of the American Society of Papyrologists 15, 275 - 278
38. “William Abbott Oldfather and the Classica Americana,” Classical Journal 74, 148
1979 39. Review of The Classical World Bibliography of Greek Drama and Poetry with a new introduction by Walter Donlan (London - New York, 1978) at Classical World 73, 435
40. “Euripides’ Cyclops and the Kyogen Esashi Juo,” Quaderni Urbinati di Cultura Classica n.s. 3, 53 - 64
41. “Satyr Play at the Lenaia?’ Zeitschrift für Papyrologie und Epigraphie 37, 158 - 160
42. Sophocles’ Inachus (Beiträge zur klaßischen Philologie, Verlag Anton Hain, Meisenheim am Glan)
1980 43. The Greek Satyr Play (Beiträge zur klaßischen Philologie, Verlag Anton Hain, Meisenheim am Glan)
44. “The Hercules Statue from the House of the Stags, Herculaneum,” Rheinisches Museum 123, 242
45. “Harpalus as Pallides,” Rheinisches Museum 123, 243
46. “Plato Comicus Demoted: A Reconsideration,” Zeitschrift für Papyrologie und Epigraphie 38, 59 - 64
47. Self and Society in Aristophanes (University Press of America, Washington D. C.)
1981 48. “Aeschylus’ Theoroi or Isthmiastae: A Reconsideration,” Greek, Roman and Byzantine Studies 22, 335 - 338
49. A Concordance to the Anonymous Constitution of Athens (Bolchazy-Carducci Publishers, Chicago)
50. A Concordance to the Greek Satyr Play (American Philological Association Scholarly Aids Monograph Series, Scholars Press, Chico, Ca.)
51. “Critias and Atheism,”Classical Quarterly 31, 33 - 38
52. “A Handlist to the Fragments of the Greek Satyr Play,” The Ancient World 3, 115 - 130
53. “Satyr Plays and Children in the Audience,” Prudentia 13, 71 - 74
1982 54. “Euripides’ Cyclops 89,” Rheinisches Museum 125, 363
55. “A Modest Proposal,” Classical World 76, 249f.
56. “P. Herc. 1581: The Argument,” Philosophia 12, 270 - 276
1983 57. “Aeschylus and the Mysteries,” Hermes 111, 249 - 55
58. “The Date of the Prometheus Bound,” Greek, Roman and Byzantine Studies 23, 289 - 294
59. “Dithyramb as Drama: the Cyclops of Philoxenus of Cythera,” Quaderni Urbinati di Cultura Classica n. s. 13, 37 - 43
60. The Dramaturgy of the Octavia (in Beiträge zur klaßischen Philologie published by Verlag Anton Hain, Königstein / Taunus)
61. “A Possible Subject for Aeschylus’ Dike Play,” Zeitschrift für Papyrologie und Epigraphie 51, 19 - 24
1984 62. “Aeschylus’ Proteus,” Philologus 128, 127 - 130
63. “Cicero on Minor Dramatic Forms,” Symbolae Osloenses 59, 29 - 36
64. The Lost Sophocles (University Press of America, Lanham, Md.)
65. “P. Lit. Lond. 77: A Rebuttal,” Zeitschrift für Papyrologie und Epigraphie 56, 33f.
66. “Pollux on Special Masks,” L’Antiquité Classique 53, 174 - 183
67. “Seneca’s Hercules Furens: One Chorus or Two?” American Journal of Philology 105, 301 - 305
68. “Vase Paintings Illustrating Satyr Plays,” The Ancient World 9, 119 - 126
1985 69. “Aesopus and the Emotional Lability of Audiences,” Quaderni Urbinati di Cultura Classica 19, 63 - 73
70. “Aristophanes’ Plutus 819 - 822,” Rheinisches Museum 128, 90 - 92
80. “Named Choreuts in Satyr Plays,” American Journal of Philology 106, 107 - 110
81. “P. Oxy. 3653: Sophoclean Hypotheses,” Zeitschrift für Papyrologie und Epigraphie 61, 15 - 18
82. “The Satyr Play,” Chapter 11 in The Cambridge History of Classical Literature, edd. by P. E. Easterling and B. M. W. Knox, 346 - 354 (with appended bibliography)
83. “Two Notes on Lost Plays about Theseus,” Rheinisches Museum 128, 358 - 360
1986 84. Seneca on the Stage (a Mnemosyne monograph published by E. J. Brill, Leiden)
1987 85. “Ezechieliana,” Rheinisches Museum 130, 34 - 39
86. Two Lost Plays of Euripides (Peter Lang Verlag, Berne - New York)
87. “The Theatrical Families of Athens,” American Journal of Philology 108, 9-26
1988 88. “Dicaeopolis as Aristophanes: Aristophanes as Dicaeopolis,” Liverpool Classical Monthly 13:7 (July, 1988) 105 - 108
89. “Evidence for Lost Dramatic Hypotheses,” Greek, Roman and Byzantine Studies 29, 87 - 92
90. Papyrological Studies in Dionysiac Literature (Bolchazy - Carducci Publishers, Chicago)
1989 91. The Greek Dithyrambographers (Georg Olms Verlag, Wiesbaden)
92. “A Handlist of Satyr Plays,” reproduced with an updating appendix in Satyrspiele (ed. Bernd Seidensticker, in the Wege der Forschung series, Darmstadt) 287 - 331.
1990 93. “Aristophanes and the Transition to Middle Comedy,” Liverpool Classical Monthly 15:6 (June, 1990) 81 - 95
94. Extracts from Self and Society in Aristophanes reprinted in Classical and Medieval Literature Criticism (edd. J. O. Krstovic et al., Detroit - New York - London) IV.162 - 69
1991 95. Homer in the Papyri (version 1:0): an electronic data base distributed for the American Philological Association by Scholar’s Press of Atlanta, Ga.
96. “Justus Lipsius to Thomas Legge, January 1, 1585,” Humanistica Lovaniensia 40, 275 - 81.
1993 97. Thomas Legge: The Complete Plays (in two volumes) Peter Lang Verlag, Berne - New York
98. Ancient Comedy: The Conflict of the Generations, in Twaynes’ Literary Genres and Themes Series (ed. by Ronald Gottesman), Macmillan, New York
1994 99. The Catharsis of Comedy, in the series ’Greek Studies: Interdisciplinary Approaches’ (ed. by Gregory Nagy), Rowman and Littlefield
100. William Gager: The Complete Works (in four volumes) Garland Press, New York.
101. “John Sanford, Apollonis et Musarum Εὐκτικὰ Εἰδύλλια,” Humanistica Lovaniensia 44, 207 - 49.
1995 101. Oxford Poetry by Richard Eedes and George Peele, Garland Press, New York.
1996 102. The Complete Works of Thomas Watson (1556 - 1592) (in two volumes), The Edwin Mellen Press, Lewiston NY. (N. b.: this was awarded the Adéle Mellen Prize For Distinguished Scholarship).
1997 103. Unpublished Works by William Alabaster (1568 - 1640) Salzburg Studies in English Literature: Elizabethan and Renaissance Studies
104. Homer in the Papyri hypertext version, now posted by the Center for Hellenic Studies
105. The Latin Prose and Poetry of Joseph Addison hypertext critical edition, posted in The Philological Museum
106. Matthew Gwinne’s tragedy Nero (1603) hypertext critical edition, posted in The Philological Museum
107. The Latin Poetry of Thomas Campion (1567 - 1920) hypertext critical edition, posted in The Philological Museum
108. “Milton’s in Quintum Novembris, Anno Aetatis 17 (1626): Choices and Intentions,” in Jon Mikalson and Gareth L. Schmeling (edd.) Qui Miscuit Utile Dulci (Festschrift for Paul Lachlan MacKendrick on his 85th birthday) Bolchazzi - Carducci, Chicago, 349-375. Available online here.
118. (With M. T. Anderson) Phineas Fletcher’s Sylva Poetica (1633), hypertext critical edition, posted in The Philological Museum 1998
109. Edward Forsett’s comedy Pedantius (1581) hypertext critical edition, posted in The Philological Museum
110. Matthew Gwinne’s Tres Sibyllae (1605) hypertext annotated edition, posted in The Philological Museum
111. George Ruggle’s comedy Ignoramus (1615) hypertext critical edition, posted in The Philological Museum
112. Fernando Parkhurst’s comedy Ignoramus, the Academical Lawyer, presented with Ruggle’s Ignoramus
113. Giambattista Della Porta’s comedy La Trappolaria (1596), text transcript, posted in The Philological Museum
114. William Alabaster’s tragedy Roxana (ca. 1595), hypertext critical edition, posted in The Philological Museum
115. Luigi Groto’s tragedy La Dalida (1572), text transcript, posted in The Philological Museum
116. Peter Mease’s tragedy Adrastus Parentans sive Vindicta (ca. 1620), hypertext critical edition, posted in The Philological Museum
117 . Florent Chrestien’s Latin Translation of Euripides’ Cyclops (1605), hypertext critical edition, posted in The Philological Museum
119. Phineas Fletcher’s Locustae sive Pietas Jesuitica, edited text, posted in The Latin Library
1999 120. John Milton’s In Quintum Novembris (1626), hypertext critical edition, posted in The Philological Museum
121. An Analytic Bibliography of On-Line Neo-Latin Texts (ongoing project), posted in The Philological Museum
122. Scipio Gentili’s Nereus (1584), hypertext critical edition, posted in The Philological Museum
123. Scipio Gentili’s partial Latin translation of Tasso’s Gerusalemme Liberata (1584), hypertext critical edition, posted in The Philological Museum
124. Scipio Gentili’s Psalm Metaphrases (1581, 1584), hypertext critical edition, posted in The Philological Museum
125. The Complete Latin Poetry of Walter Savage Landor (in two volumes, with a preface by J. W. Binns, The Edwin Mellen Press, Lewiston NY.)
126. Charles Fitzgeoffrey’s Affaniae and Cenotaphia (1601), hypertext critical edition, posted in The Philological Museum
127. John Owen’s Epigrammata (1606 - 1613), hypertext critical edition, posted in The Philological Museum
128. Sir Francis Kynaston’s Amorum Troili et Creseidae Libri Quinque (1639), hypertext critical edition, posted in The Philological Museum
129. Sir Francis Kynaston’s Testamentum Creseidae (1639), hypertext critical edition, posted in The Philological Museum
130. Supplied the translation for the Latin portion of M. T. Anderson’s hypertext critical edition of Edward Benlowes’ A Glance at the Glories of Sacred Friendship (1657), posted in The Philological Museum
131. Digory Whear’s De Ratione et Methodo Legendi Historias (1623), hypertext critical edition, posted in The Philological Museum
132. Review of D. K. Money, The English Horace: Anthony Alsop and the Tradition of Britian Latin Verse (Oxford, 1998) at Neo-Latin News 57/3 - 4 (1999) 302 - 305
2000 133. William Camden’s Annales Rerum Anglicarum et Hibernicarum Regnante Elizabetha (1615 and 1625), hypertext critical edtion, posted in The Philological Museum
134. Robert Ward’s comedy Fucus sive Histriomastix (1623), hypertext critical edition, posted in The Philological Museum
135. The anonymous comedy Stoicus Vapulans (1618), hypertext critical edition, posted in The Philological Museum
136. “The Queen’s Latin,” Neulateinisches Jahrbuch, Journal of Neo-Latin Language and Literature 2, 233 - 240
137. Abraham Fraunce’s comedy Victoria (1618), hypertext critical edition, posted in The Philological Museum
138. The anonymous comedy Laelia (1595), hypertext critical edition, posted in The Philological Museum
139. Henry Bellamy’s tragicomedy Iphis (ca. 1625), hypertext critical edition, posted in The Philological Museum
140. Abraham Fraunce’s (?) comedy Hymenaeus (1578), hypertext critical edition, posted in The Philological Museum
141. The anonymous comedy Silvanus (1597), hypertext critical edition, posted in The Philological Museum
142. Sir Francis Bacon’s Sermones Fideles sive Iteriora Rerum (printed 1638), hypertext critical edition, posted in The Philological Museum
143. Sir Francis Bacon’s Historia Regni Henrici Septimi Regis Angliae (printed 1638), hypertext critical edition, posted in The Philological Museum
144. John Stradling’s Epigrammatum Libri Quatuor (1607), hypertext critical edition, posted in The Philological Museum
2001 145. William Camden’s Actio in Henricum Garnetum (1607), hypertext critical edition, posted in The Philological Museum
146. Anon., A true and perfect relation of the proceedings at the severall arraignments of the late most barbarous Traitors, (1606), hypertext critical edition, posted in The Philological Museum
147. William Camden’s Diary (1603 - 1627), hypertext critical edition, posted in The Philological Museum
148. George Buchanan’s De Caleto Recepta Carmen (1558), hypertext annotated edition, posted in The Philological Museum
149. George Ruggle’s De Repetita Cantabrigia (1615), hypertext critical edition, posted in The Philological Museum
150. William Camden’s Poems and Epitaphs (printed 1691), hypertext critical edition, posted in The Philological Museum
151. Thomas Snelling’s Tragedy Thibaldus sive Vindictae Ingenium (printed 1640), hypertext critical edition, posted in The Philological Museum
152. Abraham Cowley’s comedy Naufragium Ioculare (1638), hypertext critical edition, posted in The Philological Museum
153. Charles Johnson’s comedy Fortune and her Wits (1705), hypertext edition, presented with Cowley’s Naufragium Ioculare in the Philological Museum
154. Aquila Cruso’s comedy Euribates (1616?), hypertext critical edition, posted in The Philological Museum
155. Christopher Wren Sr.’s Comedy Physiponomachia (ca. 1610), hypertext critical edition, posted in The Philological Museum
156. Thomas Sparrowe’s Comedy Confessor, hypertext critical edition, posted in The Philological Museum
157. “Shakespeare and the Academics,” Neulateinisches Jahrbuch, Journal of Neo-Latin Language and Literature 3, 177 - 186
158. Review of Donald Cheney and Brenda M. Hosington (edd.) Elizabeth Jane Weston: Collected Writings (Toronto, 2000), at Neulateinisches Jahrbuch, Journal of Neo-Latin Language and Literature 3, 246 - 248
159. George Buchanan’s De Maria Scotorum Regina (1568), hypertext critical edition, posted in The Philological Museum
160. Charles Johnson’s Comedy Fortune in her Wits (1705), hypertext critical edition, posted in The Philological Museum
161. Walter Bigges’ Expeditio Francisci Draki Equitis Angli in Indias Occidentales Anno MDLXXXV (1588), hypertext critical edition, posted in The Philological Museum
162. George Buchanan’s De Iure Regni Apud Scotos Dialogus (1579), hypertext critical edition, posted in The Philological Museum
163. William Alabaster’s Six Responses (1598), hypertext critical edition, posted in The Philological Museum
2002 164. John Case’s Sphaera Civitatis (1588), hypertext critical edition, posted in The Philological Museum
165. Sir Richard Carew’s Partial Latin Translation of Tasso’s Gerusalemme Liberata (1594), hypertext critical edition, posted in The Philological Museum
166. William Johnson’s Comedy Valetudinarium, hypertext critical edition, posted in The Philological Museum
167. Thomas Smith’s Viri Clarissimi Gulielmi Camdeni Vita (1691), hypertext critical edition, posted in The Philological Museum
168. Contributed the translation of the gratulatory epigrams prefacing William Gamage’s Linsi-Woolsie (1613) in the hypertext critical edition by Glyn Pursglove, posted in The Philological Museum
169. George Buchanan’s Ane Admonition Direct to the Trew Lordis Mantenaris of the Kingis Graces Authoritie (1571), hypertext critical edition, posted in The Philological Museum
170. George Buchanan’s Vita ab Ipso Scripto Biennio ante Mortem (1580), hypertext critical edition, posted in The Philological Museum
171. Henry Jackson’s Letter of September 1610, hypertext critical edition, posted in The Philological Museum
172. Charles Fitzgeoffrey’s Sir Francis Drake, His Honourable Lifes Commendation, and his Tragicall Deathes Lamentation (1596), hypertext critical edition, posted in The Philological Museum
173. John Case’s Speculum Moralium Quaestionum (1585), hypertext critical edition, posted in The Philological Museum
2003 174. George Buchanan’s Rerum Scotarum Historia (1582), hypertext critical edition, posted in The Philological Museum
175. Christopher Ocland’s EIPHNAPXIA (1582), hypertext critical edition, posted in The Philological Museum
176. Charles Estienne’s Les Abusez (1543), text transcript, posted in The Philological Museum
177. Thomas Legge’s Trilogy Richardus Tertius (1579) (second, expanded edition), hypertext critical edition, posted in The Philological Museum
178. Thomas Ryley’s Comedy Cornelianum Dolum (printed 1638), hypertext critical edition, posted in The Philological Museum
179. John Case’s Apologia pro Musices tam Vocalis Quam Instrumentalis et Mixtae (1588), hypertext critical edition, posted in The Philological Museum
180. George Peele’s Pareus (1585), hypertext critical edition, posted in The Philological Museum
181. John Brownswerd’s Progymnasmata Quaedam Poetica (printed 1589), hypertext critical edition, posted in The Philological Museum
182. Richard Eedes’ Iter Boreale (1583), hypertext critical edition, posted in The Philological Museum
2004
183. (With John S. Alabaster) William Alabaster, Intelligence Report (1599), hypertext critical edition, posted in The Philological Museum
184. Francis Davison’s Anagrammata in Nomina Illustrissimorum Heroum (1603), hypertext critical edition, posted in The Philological Museum
185. William Camden’s Britannia (1607), hypertext critical edition, posted in The Philological Museum
186. Paulus Hentzner’s Itinerarium Angliae (1612), hypertext critical edition, posted in The Philological Museum
187. Review of John Davidson and Arthur Pomeroy (edd.), Theatres of Action: Papers for Chris Dearden (Auckland, 2003), Bryn Mawr Classical Review, posted here
188. The anonymous tragedy Thomas Cantuariensis (1613), hypertext critical edition, posted in The Philological Museum
189. The anonymous intermedium Minutum (1613), hypertext critical edition, posted in The Philological Museum
190. Biography of Joseph Addison in Thoemes Dictionary of British Classicists (ed. Robert B. Todd).
191. Biography of William Gager in the same.
192. Biography of Walter Savage Landor in the same.
193. Biography of Thomas Watson in the same.
194. The anonymous tragedy Thomas Morus (1612), hypertext critical edition, posted in The Philological Museum
195. The anonymous intermedium Vulpinus (1612), hypertext critical edition, posted in The Philological Museum
196. Matthew Gwinne’s In Laudem Musices Oratio (1582), hypertext critical edition, posted in The Philological Museum
197. The anonymous tragedy Roffensis (1618?), hypertext critical edition, posted in The Philological Museum
2005
198. Christopher Wren, Oratio Inauguralis (1657), hypertext critical edition, posted in The Philological Museum
199. Review of Marianne Pade, Keren Skovgaard-Petersen, and Peter Zeeberg (edd.), Minna Skafte Jensen, Friendship and Poetry: Studies in Danish Neo-Latin Literature (Copenhagen, 2004), Bryn Mawr Classical Review, posted here
200. Polydore Vergil’s Anglica Historia (1555), hypertext critical edition, posted in The Philological Museum
201. George Buchanan’s Five Masques, hypertext critical edition, posted in The Philological Museum
202. William Gager’s Complete Works, hypertext critical edition, posted in The Philological Museum
203. William Alabaster’s Carmina, hypertext critical edition, posted in The Philological Museum
204. Thomas Smith's Vita D. Roberti Cottoni (1696), hypertext critical edition, posted in The Philological Museum
2006
205. Response to James J. O'Donnell's review of Gaspard Fossati, Aya Sofia Constantinople, Bryn Mawr Classical Review, posted here
206. William Gager (ed.) Illustratissimi Equitis D. Philippi Sidnaei, Gratissimae Memoriae ac Nomini Impensae (1587) hypertext critical edition, posted in The Philological Museum
207. Edward Vere, Earl of Oxford, Dedicatory epistle (dated 3 January 1571) [prefacing Bartholomew Clerke's Balthasaris Castilionis Comitis De Curiali siue Aulico (1571), hypertext critical edition, posted by The Oxford Authorship Site here
208. John Leland's Naeniae in Mortem Thomae Viati Equitis Incomparabilis (1542), hypertext critical edition, posted in The Philological Museum
209. John Leland's Two Poems on the French Wars (1545 and 1546), hypertext critical edition, posted in The Philological Museum
210. John Leland's Κύκνειον ᾇσμα (1545), hypertext critical edition, posted in The Philological Museum
211. John Leland's Pompa Nympharum (1537), hypertext critical edition, posted in The Philological Museum
212. Nicholas Carr's De Scriptorum Britannicorum Paucitate et Studiorum Impedimentis Oratio (printed 1576), hypertext critical edition, posted in The Philological Museum
213. Review of Charles Martindale and A. B. Taylor (edd.), Shakespeare and the Classics (Cambridge, 2004), Classical Bulletin 81:2 (2005) 242 - 4
214. Nicholas Udall and John Leland's Poetry for the Coronation of Anne Boleyn (1533), hypertext critical edition, posted in The Philological Museum
215. Thomas Legge's Solymitana Clades, hypertext critical edition, posted in The Philological Museum
216. John Vicars, Extract from Χειραγωγία, Manuductio ad Artem Rhetoricam (1628 edition), hypertext critical edition, posted in The Philological Museum
217. The anonymous Jesuit comedy Psyche et Filii Eius (ca. 1620), hypertext critical edition, posted in The Philological Museum
218. The anonymous comedy Ara Fortunae (1607), hypertext critical edition, posted in The Philological Museum
219. The anonymous comedy Ira Fortunae (1608), hypertext critical edition, posted in The Philological Museum
220. Owen Vertue's comedy Saturnalia (1607), hypertext critical edition, posted in The Philological Museum
221. The anonymous comedy Philomathes (1608), hypertext critical edition, posted in The Philological Museum
222. The anonymous tragedy Philomela (1607), hypertext critical edition, posted in The Philological Museum
223. John Blencowe's comedy Mercurius, sive Literarum Lucta, hypertext critical edition, posted in The Philological Museum
224. Hadrianus Junius' Philippeis (1554), hypertext critical edition, posted in The Philological Museum
225. Review of Alfred Thomas Barton, Gulielmi Shakespeare Carmina quae
Sonnets Nuncupantur Latine Reddita (ed. Ludwig Bernays, Dozwil, 2006), Bryn Mawr Classical Review, posted here226. Abraham Cowley's De plantis libri sex (1668), hypertext critical edition, posted in The Philological Museum
227. Christopher Anstey 's Epistola poetica familiaris (1777), hypertext critical edition, posted in The Philological Museum
228. Review of Gary R. Grund, Humanist Comedies (Cambrudge U. S. A., 2005), in The Classical Bulletin 82, 313f.
2007
229. Joseph Crother's comedy Cephalus et Procris (1626 - 28), hypertext critical edition, posted in The Philological Museum
230. Abraham Cowley's Davideos Liber I (1656), hypertext critical edition, posted in The Philological Museum
231. Abraham Cowley's Carmina, hypertext critical edition, posted in The Philological Museum
232. Thomas Compton Carleton S. J.'s tragedy Fatum Vortigerni (1619), hypertext critical edition, posted in The Philological Museum
233. John Leland, Two Latin Masques, hypertext critical edition, posted in The Philological Museum
234. John Leland, Epigrammata (printed 1589), hypertext critical edition, posted in The Philological Museum
235. Edward Grant, Oratio de Vita et Obitu Roberti Aschami (1576), hypertext critical edition, posted in The Philological Museum
236. Roger Ascham, Carmina (printed 1576), hypertext critical edition, posted in The Philological Museum
237. Christopher Ocland, Anglorum Praelia (1580), hypertext critical edition, posted in The Philological Museum
238. The anonymous tragedy Solymannidae (1582), hypertext critical edition, posted in The Philological Museum
239. Anon., De Caede et Interitu Gallorum Regis Henrici Tertii, Valesiorum Ultimi, Epigrammata (1589), hypertext critical edition, posted in The Philological Museum
240. Review of Rhoda Schnur, Acta Conventus Neo-Latini Bonnensis: Proceedings of the 12th International Congress of Neo-Latin Studies (Bonn 2003) (Medieval & Renaissance Texts & Studies, 315, Tempe, Az., 2006), Bryn Mawr Classical Review, posted here
241. Christopher Ocland, Elizabetheis (1589), hypertext critical edition, posted in The Philological Museum
242.Theodore Beza, Three Poems (1588), hypertext critical edition, posted in The Philological Museum
243. Leonard Hutten's comedy Bellum Grammaticale (1581), hypertext critical edition, posted in The Philological Museum
244. Adrien de Roulers' tragedy Stuarta (1589), hypertext critical edition, posted in The Philological Museum
245. (With Jamie Reid Baxter) Alexander Yule, Descriptio Horrendi Parricidii (1606), hypertext critical edition, posted in The Philological Museum
246. Review of Richard Ashdowne and James Morwood, Writing Latin: An Introduction to
Writing in the Language of Cicero and Caesar (London, 2007) in Bryn Mawr Classical Review, posted here247. George Buchanan's Psalmorum Davidis Paraphrasis Poetica (1580 version), hypertext critical edition, posted in The Philological Museum
248. Richard Harvey (?), In obitum doctissimi viri venerabilis Mri. Spenseri carmen ἐπικήδικον (1598), hypertext critical edition, posted in The Philological Museum
2008
249. (With Jamie Reid Baxter) George Buchanan and Alexander Yule, Ecphrasis Paraphraeseos Georgii Buchanani in Psalmos Davidis (1620), hypertext critical edition, posted in The Philological Museum
250. The Jesuit tragedy Morus, hypertext critical edition, posted in The Philological Museum
251. David Waterhouse's comedy Cleophilus (printed 1700), hypertext critical edition, posted in The Philological Museum
252. David Waterhouse's comedy Simo (printed 1702), hypertext critical edition, posted in The Philological Museum
253. Florence Wilson's De Animi Tranquillitate Dialogus (1543), hypertext critical edition, posted in The Philological Museum
254. The Jesuit play Magister Bonus sive Arsenius (1614), hypertext critical edition, posted in The Philological Museum
255. The Jesuit tragedy Basilindus, hypertext critical edition, posted in The Philological Museum
256. The Jesuit Declamatoria Actio Artaxerxes, hypertext critical edition, posted in The Philological Museum
257. P. Cuffaud, et al., Felix Concordia Fratrum sive Ioannes et Paulus (1651), hypertext critical edition, posted in The Philological Museum
258. (With Jamie Reid Baxter) John Dunbar, Epigrammaton Ioannis Dunbari Megalo-Britanni Centuriae Sex, Decades Totidem (1616), hypertext critical edition, posted in The Philological Museum
259. P. Cuffaud, et al., tGemitus Columbae sive Theophili Lachrymae (1650 or 1652), hypertext critical edition, posted in The Philological Museum
260. The Jesuit history play Crux Vindicata, hypertext critical edition, posted in The Philological Museum
2009
261. John Case, The Praise of Musicke (1586), hypertext critical edition, posted in The Philological Museum
262. The Jesuit tragedy Fortunae Ludibrium sive Bellisarius, hypertext critical edition, posted in The Philological Museum
263. Review of Charles Burnett and Nicholas Mann (edd.), Britannia Latin: Latin in the Culture of Great Britain from the Middle Ages to the Twentieth Century (Warburg Institute Colloquia 8, London - Torino, 2005), in Exempla Classica 13 (2009) 393 - 400
2010
264. Review of V. Leroux, Marc-Antoine Muret: Juvenilia (Geneva, 2009), in The Classical Review 60:1 (2010) 317f.
265. William Drury’s tragicomedy Reparatus sive Depositum tragicomoedia (1621), hypertext critical edition, posted in The Philological Museum
266. Joseph Simons S. J.’s tragedy Sanctus Damianus (1626), hypertext critical edition, posted in The Philological Museum
267. (With Ewen Bowie, James Tatum and others) “In Memoriam B. P. Reardon,” The Newsletter of the American Philological Associan Winter 2010, posted here
268. Joseph Simons S. J.’s tragedy Sanctus Pelagius Martyr (1623), hypertext critical edition, posted in The Philological Museum
269. Joseph Simons S. J. (?), Montezuma, hypertext critical edition, posted in The Philological Museum
270. Contributed a large number of entries to The Lost Plays Database (University of Melbourne)
271. The Jesuit Play Ananias, Azarias, Mizael, hypertext critical edition, posted in The Philological Museum
272. Hector Boece’s Scotorum Historia (1575 version), hypertext critical edition, posted in The Philological Museum
273. Supplied the translation and annotation for the essay De Fide et Antiquitate huius Historiae Tractatus, in Richard F. Hardin’s hypertext critical edition of John Ross, Britannica (1607), posted in The Philological Museum
274. Bernard André, De Vita atque Gestis Henrici Septimi Historia, hypertext critical edition, posted in The Philological Museum
275. Andrew Ramsay, Creationis Rerum Descriptio Poetica (1633), hypertext critical edition, posted in The Philological Museum
246. Andrea Ammonio, Carmina (1511), hypertext critical edition, posted in The Philological Museum
277. Polydore Vergil, Adagiorum Liber (1521 version), hypertext critical edition, posted in The Philological Museum
278. Review of Ruth Monreal, Flora neolatina: die Hortorum libri IV von René Rapin S.J. und die Plantarum libri VI von Abraham Cowley. Zwei lateinische Dichtungen des 17. Jahrhunderts (Berlin - New York, 2010), in Bryn Mawr Classical Review, posted here
279. Thomas Watson: Complete Works (second, electronic edition). hypertext critical edition, posted in The Philological Museum
2011
280. Alexander Boyd, Carmina, hypertext critical edition, posted in The Philological Museum (with Jamie Reid Baxter)
281. Robert Johnston, History of the Reign of James VI of Scotland, posted in The Philological Museum
282. John Maitland, Epigrammata, hypertext critical edition, posted in The Philological Museum
283. John Dunbar, Daphnaeum Doctorale (1618), hypertext critical edition, posted in The Philological Museum
284. Review of Rhoda Schnur (ed.), Acta Conventus Neo-Latini Budapestinensis: Proceedings of the Thirteenth International Congress of Neo-Latin Studies, Budapest, 6-12 August 2006. Medieval and Renaissance Texts and Studies, 386. Tempe: Arizona Center for Medieval and Renaissance Studies, 2010, in Bryn Mawr Classical Review, posted here
285. Alexander Dickson, De Umbra Rationis et Iudicii (1584) hypertext critical edition, posted in The Philological Museum
286. “Isaac Casaubon,” Corona Regia (1615). hypertext critical edition, posted in The Philological Museum
287. George Salterne, Two Poems, hypertext critical edition, posted in The Philological Museum
288. Review of Benedict Kingsbury, Benjamin Straumann, David Lupher (edd.), Alberico Gentili. The Wars of the Romans: A Critical Edition and Translation of De armis Romanis. Oxford/New York: Oxford University Press, 2010, posted here.
289. Humphrey Llwyd, Commentarioli Britannicae Descriptionis Fragmentum (printed 1572), hypertext critical edition, posted in The Philological Museum
290. Paulus Melissus Schede, The English Poetry (1586), hypertext critical edition, posted in The Philological Museum
291. Supplied the English translation of two 1575 letters from William Lewin to Lord Burghley, for the “Documents in the Life of Edward de Vere, 17th Earl of Oxford” section of Nina Green’s The Oxford Authorship Site.
2012
292. “A Few Remarks by the Editor,” accompanying Peter L. P. Simpsons’ hypertext critical edition of Fransisco Suarez S. J., Defensio Fidei Catholicae et Apostolicae Adversus Anglicanae Sectae Errores (1613), posted in The Philological Museum
293. Edmund Campion, S. J., Doctor Ironicus and Dialogus Mutus, hypertext critical edition, posted in The Philological Museum (with Martin Wiggins)
294. David Hume of Godscroft, Lusus Poetici (1605 and 1639), hypertext critical edition posted, in The Philological Museum
295. David Hume of Godscroft, Poetry to Commemorate Royal Occasions (1613 and 1617), hypertext critical edition, posted in The Philological Museum
296. David Hume of Godscroft, Daphn-Amarayllis (1605), hypertext critical edition, posted in The Philological Museum
297. David Hume of Godscroft, Carmina Varia, hypertext critical edition, posted in The Philological Museum
2013
298. The Anonymous Comedy Zelotypus, hypertext critical edition, posted in The Philological Museum
299. John Leech, Epigrammatum Libri Quatuor (1620 to 1623), hypertext critical edition, posted in The Philological Museum
300. Joseph Simons S. J., Mercia sive Pietas Coronata (1656), hypertext critical edition, posted in The Philological Museum
301. Joseph Simons S. J., Vitus sive Christiana Fortitudo (1656), hypertext critical edition, posted in The Philological Museum
302. Joseph Simons S. J., Theoctistus sive Constans Virtus in Aula (1656), hypertext critical edition, posted in The Philological Museum
303. Michael Wallace, The Latin Poetry, hypertext critical edition, posted in The Philological Museum (with Jamie Reid Baxter)
304. Joseph Simons S. J., Leo Armenus sive Impietas Punita (1656), hypertext critical edition, posted in The Philological Museum
305. Corbet Owen, Carmen Pindaricum in Theatrum Sheldonianum (1669), hypertext critical edition, posted in The Philological Museum
306. Robert Burton, Poemata, hypertext critical edition, posted in The Philological Museum
2014
307. Joseph Simons S. J., Zeno sive Ambitio Infelix (1656), hypertext critical edition, posted in The Philological Museum
308. Sir Thomas Killigrew, The Imperial Tragedy (1669), hypertext critical edition, posted in The Philological Museum
309. William Forbes, Poemata Miscellanea (1642), hypertext critical edition, posted in The Philological Museum
310. Christopher Anstey, Two Translations and an Ode (printed 1808), hypertext edition, posted in The Philological Museum
311. Contributed to Volume IV of Elizabeth Goldring et al. (edd.), John Nichols's The Progresses and Public Processions of Queen Elizabeth I: A New Edition of the Early Modern Sources (in five volumes, Oxford University Press, the winner of the 2015 MLA Prize for a Scholarly Edition and the 2015 Roland H. Bainton Book Prize for Reference awarded by the Sixteenth Century Society), written by invitation
312. “English Jesuit Drama in the Sixteenth and Seventeenth Centuries,” in the Oxford Handbooks Online series, published by the Oxford University Press. Available online (by subscription only) , written by invitation
313. William Drury, Aluredus sive Alfredus tragicomoedia (1619), hypertext critical edition, posted in The Philological Museum
314. Robert Knightley, Alfrede, or Right Reinthron’d (1659), hypertext critical edition, posted in The Philological Museum
315. William Drury, Mors comoedia (1619), hypertext critical edition, posted in The Philological Museum
316. Robert Squire, Death, a Comedy, hypertext critical edition, posted in The Philological Museum
317. Jewel, Bishop John, Epistola Cuiusdam Angli (1561) (with an introduction by Cyndia Susan Clegg), hypertext critical edition, posted in The Philological Museum
318. Polydore Vergil, Dialogus de Patientia Eiusque Fructu (printed 1545), hypertext critical edition, posted in The Philological Museum
319. Polydore Vergil, Dialogus de Vita Perfecta (printed 1545), hypertext critical edition, posted in The Philological Museum
320. Polydore Vergil, Dialogus de Veritate et Mendacio (printed 1545), hypertext critical edition, posted in The Philological Museum
321. Polydore Vergil, Dialogus de Prodigiis (1526?), hypertext critical edition, posted in The Philological Museum
322. Polydore Vergil, Dialogus de Iureiurando et Periurio (printed 1555), hypertext critical edition, posted in The Philological Museum
2015
323. John Hacket, Loiola (performed 1623), hypertext critical edition, posted in The Philological Museum
324. “Sir Philip Sidney and the Crown of Poland,” Sidney Journal 32:2 (2014) 73 - 83.
325. (With Martin Wiggins) The Performance Piece Sors Caesarea (1646?), hypertext critical edition, posted in The Philological Museum
326. Edmund Stubbe, Fraus Honesta (performed 1619), hypertext critical edition, posted in The Philological Museum
327. The Interlude Time’s Complaint (1608), hypertext critical edition, posted in The Philological Museum
328. The Interlude The Seven Dayes of the Weeke (1608), hypertext critical edition, posted in The Philological Museum
329. Jo7hn Sandsbury, the tragedy Periander (1608), hypertext critical edition, posted in The Philological Museum
330. Thomas Dempster, the historical tragedy Decemviratus Abrogatus (1613) hypertext critical edition, posted in The Philological Museum
2016
331. The anonymous tragedy Romeus et Julietta, hypertext critical edition, posted in The Philological Museum
332. “Oxford Drama in the Late Tudor and Early Stuart Periods,” in the Oxford Handbooks Online series, published by the Oxford University Press. Available online (by subscription only), written by invitation
333. “Cambridge Drama in the Late Tudor and Early Stuart Periods,” in the Oxford Handbooks Online series, published by the Oxford University Press. Available online (by subscription only), writiten by invitation
334. (With Jamie Reid Baxter) John Leech, Epigrammatum Libri Quatuor (1620 to 1623) second edition hypertext critical edition, posted in The Philological Museum,
335. John Leech, Anacreontica (1618 and 1620) hypertext critical edition, posted in The Philological Museum
336. The anonymous comedy Risus Anglicanus (1616), hypertext critical edition, posted in The Philological Museum
337. George Coryate, Posthuma Fragmenta Poematum (printed 1611), hypertext critical edition, posted in The Philological Museum
338. (With Jamie Reid Baxter) William Hegate, Gallia Victrix (1598). hypertext critical edition, posted in The Philological Museum
2017
339. Nathan Chytraeus, Scholia on George Buchanan’s Paraphrases of the Psalms (1584), hypertext critical edition, posted in The Philological Museum
340. Introduction to “Excerpts from Henry Jackson’s letter reporting a performance of Othello at Oxford,” Folger Shakespeare Library’s Shakespeare Documented online exhibition
341. (with Nina Green) .John Hoskyns, Poems on the Death of Anne Cecil (1588), hypertext critical edition, posted in The Philological Museum
342. Martin Bucer, De honestis ludis (printed 1557), hypertext critical edition, posted in The Philological Museum
343. David Hume of Godscroft, Apologia Basilica (1626), hypertext critical edition, posted in The Philological Museum
344. Alberico Gentili, Observations on Machiavelli (1585), hypertext critical edition, posted in The Philological Museum
2018
345. John Case, Adeste, tyrunculi (1589), hypertext critical edition, posted in The Philological Museum
346. Giles ƒ the Elder, Carmina, hypertext critical edition, posted in The Philological Museum
347. (with Jamie Reid Baxter) Dum placidum membris hauriret soporem (1638), hypertext critical edition, posted in The Philological Museum
348. “Rethinking the 'Houses’ of English University Drama,“ available from Academia.edu here
349. “The First Scene of Matthew Gwinne’s 1603 History Play Nero and the First Scene of King Lear, available from Academia.edu here
2019
350. Sir Thomas Chaloner, De Republica Anglorum Instauranda libri decem (1564), hypertext critical edition, posted in The Philological Museum
351. "Bryan Peter Reardon: Vita et Scripta," in Kathryn Chew, J. R. Morgan, and Stephen M. Trzaskoma (edd), Literary Currents and Romantic Forms: Essays in Memory of Bryan Reardon (Groningen, 2019) xiii - xxi
352. Alexander Neville, Kettus et de furoribus Norfociensium Ketto Duce (1575); hypertext critical edition, posted in The Philological Museum
353. Nicholas Sotherton, The Caus of this Rebellion Begon in Norffolk (presented with Alexander Neville, Kettus et de furoribus Norfolciensium Ketto Duce), hypertext critical edition, posted in The Philological Museum
354. Bernard André, Annales regni Henrici Septimi (1504/5 and 1507/08); hypertext critical edition, posted in The Philological Museum
355. Hugh Holland, Complete Poetry, hypertext critical edition, posted in The Philological Museum
356. “Joseph Barnes, the Original Printer to the University of Oxford: A Study in Political Propaganda,“ available from Academia.edu here
357. Henry Dennys (?), Anglia Querens, hypertext critical edition, posted in The Philological Museum
2020
358. Lawrence Humphrey, Guilielmus Parreus Proditor (1585/86), hypertext critical edition, posted in The Philological Museum
359. “The Anti-Ciceronian Movement Reassessed,” available from Academia.edu here
360. John Stephens the Younger, A new Satyre in defence of Common Law and Lawyers (1615), hypertext critical edition, posted in The Philological Museum
361. John Leland, Antiphilarchia (1541? - partial text), hypertext critical edition, posted in The Philological Museum
362. Edward Cuffaud S. J., Furor Impius sive Constans Fratricida, hypertext critical edition, posted in The Philological Museum
363. Francis Clarke S. J., Innocentia Purpurata, seu Rosa Candida et Purpurata (1654), hypertext critical edition, posted in The Philological Museum
364. The Anonymous Jesuit Tragedy Britanniae Primitiae sive S. Albanus Protomartyr, hypertext critical edition, posted in The Philological Museum
365. Thomas Murray, Naupactiados Metaphrasis (1604), hypertext critical edition, posted in The Philological Museum
2021
366. “A Brief Look at the 1585 A True and Plaine Declaration,” available from Academia.edu here
367. Father Francis Clarcus’ Play Homo Duplex Sive Funestum Corporis et Animae Duiellum, available from Academia.edu here.
368. John Leland's Four Poems on the French Wars (1545 and 1546), hypertext critical edition, posted in The Philological Museum
369. Vincent Bourne’s Poemata Latine partim reddita, partim scripta (1734), hypertext critical edition, posted in The Philological Museum
370. “Don Giovanni among the Jesuits,“ available from Academia.edu here.
371, Thomas Tomkis’ Comedy Lingua (1607?), hypertext critical edition, posted in The Philological Museum
372. “A note on Thomas Tomkis’ comedy Albumazar (1615) “, available from Academia.edu here.
373. The anonymous Jesuit playlet Blame Not Our Author, hypertext critical edition, posted in The Philological Museum
374. Francis Clarke S. J.’s Homo Duplex, hypertext critical edition, posted in The Philological Museum
2022
375. James Melville’s Ad Serenissimum Iacobum Primum Britanniarum Monarcham, Ecclesiae Scoticanae Libellus (1665 printed version) (with Jamie Reid Baxter), hypertext critical edition, posted in The Philological Museum
376. Anon., Irae Divinae in Scotiam Accensae...Causae (ca. 1653) (with Jamie Reid Baxter), hypertext critical edition, posted in The Philological Museum
377. William Pratt’s Hispanus (1597), hypertext critical edition, posted in The Philological Museum
378.“The Sixteenth Century Pompa in England and Scotland: A Neglected Kind of Neo-Latin Performative Poetry,“ available from Academia.edu here.
379. “T. W.”, The Teares of Fancie (1593), hypertext critical edition, posted in The Philological Museum
380. George Canning, Iter ad Meccam Religionis Causa Susceptum (1789), hypertext critical edition, posted in The Philological Museum
381. Two Latin Poems from the Anti-Jacobin, hypertext critical edition, posted in The Philological Museum
382. Nicholaus Vernulaeus, Thomas Cantuariensis Tragoedia (ca. 1625), hypertext critical edition, posted in The Philological Museum
383. “A Note on the Techne of Neo-Latin Versification,”, https://www.academia.edu/77496598/A_NOTE_ON_THE_TECHNE_OF_NEO_LATIN_VERSIFICATION